![]() Like anything with editing, sometimes you just have to play around with things until you hear something you like (or dislike). In this simple but effective tutorial from Josiah Vaughan, he breaks down how to use the Channel Equalizer, then goes over his process for finding and removing unwanted sounds and frequencies. But, it doesn’t mean the project is doomed. It’s definitely worth checking out.īoost and Smooth Audio in FCPX Often overlooked, audio is crucial to the success of your project. I’ve found more luck in the past using third-party plugins than the native tools offered in the big editing programs. In the example above, he actually uses Pixel Film Studio’s “Stabilizer” plugin. The third route? Use third-party plugins. So, you’ll lose some of the composition, but it’s better than shaky footage. Like any program that offers stabilization, expect FCPX to crop in on your image. The second method is to use the program’s built-in stabilization tool. But, with FCPX’s optical flow, we can see how the tool smooths out the choppiness and stabilizes the shots as best as it can. Now, obviously, if you’re working with footage shot at a frame rate that wasn’t intended to be slowed down, this can lead to some horribly choppy, unprofessional-looking footage. This tutorial from Pixel Film Studio shows you just how easy this tool is to use inside Final Cut.įirst, slow down your footage. This includes both color theory and an eye for what the project needs to look like when it’s all said and done.įinal Cut Pro X features an amazing tool called Match Color. More often than not, however, it falls upon the editor to have a working knowledge of color. Others develop a look with the DP so they can know what they’re shooting. Some productions use professional colorists to fix footage or create the overall look and feel of a film after it’s been shot. Image by Hans Christiansson.Ĭolor correction and color grading ( which are different things) have become a huge part of a video editor’s workflow. Well, let’s talk about what to do, how you can help out the project, and dare I say, fix it in post.Ĭolor Correcting and Color Grading in FCPX As an editor, having a working knowledge of color is essential. One of the worst things you can hear on set is: “We’ll fix it in post.” But, how often does that actually happen where you’re left with a bunch of footage and audio that’s completely unusable. If you follow his steps, you’ll be grading like a pro in no time.Color, footage stabilization, audio, fixing your project in post can be tricky. The tutorial is very practical in application. The tutorial outlines a three-step process which Denver uses to grade all of his footage. In this tutorial from Color Grading Central, we take another look at the order of operations you can use when color correcting and grading. Masks allow you to isolate small portions of the frame so you can apply color changes without applying them to the entire frame. When it comes to getting a professional color grade, a mask is your best friend. The tutorial outlines how easy it is to save and manipulate presets in FCPX. In this tutorial from Denver Riddle on behalf of Color Grading Central, we take a look at how to create a few popular looks using presets in FCPX. One of the cool things about color grading in FCPX is the ability to save color presets. This tutorial focuses on what your workflow should look like. The tutorial is actually part of a larger tutorial series about FCPX on .Ĥ. Final Cut Pro X Color Grading Tutorial: Popular Looks In this lesson from, we learn how to color correct and grade in FCPX from the well-spoken Ashley Kennedy. Even if you think your waveforms look a little strange, the end result may still look nice.ģ. Following a Proper Color Correction Workflow ![]() This video is a preview of a longer on-demand webinar from. Learn how using FCPX’s built-in video scopes will enable you to gain consistency in your correction and stay within broadcast safe levels. Videoscopes are incredibly important if you are sending your video out for broadcast. Ben Brownlee gives an overview of the basic color correction tools in Final Cut Pro X. In the second part of his two-part series, we take a look at how to read various videoscopes in FCPX. In part one of his two-part c olor grading tutorial, Matthew Pearce shows us how to create a cross-processed and sunset look in FCPX. Along the way he shows us how to use some of the basic color adjustment tools in FCPX. With 4 different options included, adjust the settings with the on-screen controls and enjoy automatic vertigo animations. Created By: Matthew Pearce Part 1: Basic Color Corrections Easily create cool dolly zoom effects or visual distortions in your videos with this amazing plugin by MotionVFX. ![]()
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